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<channel>
	<title>Ten Thousand Films weblog &#187; Quotes</title>
	<atom:link href="http://www.tenthousandfilms.com/10k/category/quotes/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.tenthousandfilms.com/10k</link>
	<description>Documentary film production - Links, videos and miscellaneous</description>
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		<title>Kiss the snake so that you may gain the treasure.</title>
		<link>http://www.tenthousandfilms.com/10k/2010/08/kiss-the-snake-so-that-you-may-gain-the-treasure/</link>
		<comments>http://www.tenthousandfilms.com/10k/2010/08/kiss-the-snake-so-that-you-may-gain-the-treasure/#comments</comments>
		<pubDate>Sun, 15 Aug 2010 15:12:24 +0000</pubDate>
		<dc:creator>10k films</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Quotes]]></category>
		<category><![CDATA[Rumi]]></category>
		<category><![CDATA[Sufi poetry]]></category>

		<guid isPermaLink="false">http://www.tenthousandfilms.com/10k/?p=439</guid>
		<description><![CDATA[I am amazed at the seeker of purity
Who when its time to be polished
Complains of rough handling.
Love is like a lawsuit:
To suffer harsh treatment is like the evidence;
&#8230;When you have no evidence the lawsuit is lost.
Don’t grieve when the judge demands your evidence;
Kiss the snake so that you may gain the treasure.
That harshness isn’t toward [...]]]></description>
			<content:encoded><![CDATA[<p>I am amazed at the seeker of purity<br />
Who when its time to be polished<br />
Complains of rough handling.<br />
Love is like a lawsuit:<br />
To suffer harsh treatment is like the evidence;<br />
&#8230;When you have no evidence the lawsuit is lost.<br />
Don’t grieve when the judge demands your evidence;<br />
Kiss the snake so that you may gain the treasure.<br />
That harshness isn’t toward you,<br />
But toward the harmful qualities in you.<br />
When somebody beats a rug,<br />
The blows are not against the rug,<br />
But against the dust in it.</p>
<p>Rumi</p>
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		</item>
		<item>
		<title>On the way</title>
		<link>http://www.tenthousandfilms.com/10k/2010/04/on-the-way/</link>
		<comments>http://www.tenthousandfilms.com/10k/2010/04/on-the-way/#comments</comments>
		<pubDate>Sat, 17 Apr 2010 11:06:08 +0000</pubDate>
		<dc:creator>10k films</dc:creator>
				<category><![CDATA[Quotes]]></category>
		<category><![CDATA[ardent longing]]></category>
		<category><![CDATA[Charles Hassan le Gai Eaton]]></category>
		<category><![CDATA[Longing for God]]></category>

		<guid isPermaLink="false">http://www.tenthousandfilms.com/10k/?p=374</guid>
		<description><![CDATA[‘There’s a story I read somewhere, years ago, which illustrates the urgency of ‘ardent longing’: It is said that a certain Sheikh (Spiritual master) was walking by a canal with a young disciple who kept pestering him to be told when he could expect to “find God”. “What must I do Master?’ Tell me at [...]]]></description>
			<content:encoded><![CDATA[<p>‘There’s a story I read somewhere, years ago, which illustrates the urgency of ‘ardent longing’: It is said that a certain Sheikh (Spiritual master) was walking by a canal with a young disciple who kept pestering him to be told when he could expect to “find God”. “What must I do Master?’ Tell me at once!” In his eagerness, he grew careless, stumbled and fell into the water. The Sheikh knelt down and held the youth’s head under water until he was more than half drowned, then dragged him out and said: “When your need to find God is as powerful as your need just now for a breath of air, then you will be on the way to what you seek.” - Charles Hassan le Gai Eaton</p>
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		<item>
		<title>Contentions</title>
		<link>http://www.tenthousandfilms.com/10k/2010/04/contentions/</link>
		<comments>http://www.tenthousandfilms.com/10k/2010/04/contentions/#comments</comments>
		<pubDate>Sun, 11 Apr 2010 21:54:15 +0000</pubDate>
		<dc:creator>10k films</dc:creator>
				<category><![CDATA[Quotes]]></category>
		<category><![CDATA[Abdal Hakim Murad]]></category>
		<category><![CDATA[contentions]]></category>
		<category><![CDATA[TJ Winter]]></category>

		<guid isPermaLink="false">http://www.tenthousandfilms.com/10k/?p=370</guid>
		<description><![CDATA[&#8220;Reality is a System. Kufr is not a malfunction in that System, it is the illusion that a malfunction exists.&#8221; &#8211; T.J.Winter, Contentions 15
]]></description>
			<content:encoded><![CDATA[<p>&#8220;Reality is a System. <em>Kufr</em> is not a malfunction in that System, it is the illusion that a malfunction exists.&#8221; &#8211; T.J.Winter, <a title="Contentions 15" href="http://www.masud.co.uk/ISLAM/ahm/contentions15.htm"><em>Contentions 15</em></a></p>
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		<title>Deschooling Society</title>
		<link>http://www.tenthousandfilms.com/10k/2010/03/deschooling-society/</link>
		<comments>http://www.tenthousandfilms.com/10k/2010/03/deschooling-society/#comments</comments>
		<pubDate>Wed, 17 Mar 2010 14:01:12 +0000</pubDate>
		<dc:creator>10k films</dc:creator>
				<category><![CDATA[Quotes]]></category>
		<category><![CDATA[Deschooling Society]]></category>
		<category><![CDATA[Ivan Illich]]></category>

		<guid isPermaLink="false">http://www.tenthousandfilms.com/10k/?p=358</guid>
		<description><![CDATA[&#8220;Many students, especially those who are poor, intuitively know what the schools do for them. They school them to confuse process and substance. Once these become blurred, a new logic is assumed: the more treatment there is, the better are the results; or, escalation leads to success. The pupil is thereby “schooled” to confuse teaching [...]]]></description>
			<content:encoded><![CDATA[<p>&#8220;Many students, especially those who are poor, intuitively know what the schools do for them. They school them to confuse process and substance. Once these become blurred, a new logic is assumed: the more treatment there is, the better are the results; or, escalation leads to success. The pupil is thereby “schooled” to confuse teaching with learning, grade advancement with education, a diploma with competence, and fluency with the ability to say something new. His imagination is “schooled” to accept service in place of value. Medical treatment is mistaken for health care, social work for the improvement of community life, police protection for safety, military poise for national security, the rat race for productive work. Health, learning, dignity, independence, and creative endeavor are defined as little more than the performance of the institutions which claim to serve these ends, and their improvement is made to depend on allocating more resources to the management of hospitals, schools, and other agencies in question.&#8221;</p>
<p>- <em>Deschooling Society -<a href="http://en.wikipedia.org/wiki/Ivan_Illich"> </a></em><a href="http://en.wikipedia.org/wiki/Ivan_Illich">Ivan Illich</a><em>/<em> </em></em>Thanks to N.F. &#8211; &#8216;<a href="http://acleanglass.wordpress.com/">A Clean Glass</a>&#8216; blog<em><em></em></em></p>
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		<title>한 (恨) &#8211; Han</title>
		<link>http://www.tenthousandfilms.com/10k/2010/02/%ed%95%9c-%e6%81%a8-han/</link>
		<comments>http://www.tenthousandfilms.com/10k/2010/02/%ed%95%9c-%e6%81%a8-han/#comments</comments>
		<pubDate>Sun, 28 Feb 2010 21:26:11 +0000</pubDate>
		<dc:creator>10k films</dc:creator>
				<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[Quotes]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Han]]></category>
		<category><![CDATA[Korea]]></category>
		<category><![CDATA[Lacrimae Rerum]]></category>
		<category><![CDATA[mono no aware]]></category>
		<category><![CDATA[sadness]]></category>
		<category><![CDATA[sadness of things]]></category>
		<category><![CDATA[한 (恨)]]></category>

		<guid isPermaLink="false">http://www.tenthousandfilms.com/10k/?p=340</guid>
		<description><![CDATA[Han is a concept in Korean culture, attributed by some as a national cultural trait. Han denotes a collective feeling of oppression and isolation in the face of overwhelming odds. It connotes aspects of lament and unavenged injustice.
The Korean poet Ko Eun describes the trait as universal to the Korean experience: &#8220;We Koreans were born [...]]]></description>
			<content:encoded><![CDATA[<p>Han is a concept in Korean culture, attributed by some as a national cultural trait. Han denotes a collective feeling of oppression and isolation in the face of overwhelming odds. It connotes aspects of lament and unavenged injustice.</p>
<p>The Korean poet Ko Eun describes the trait as universal to the Korean experience: &#8220;We Koreans were born from the womb of Han and brought up in the womb of Han.&#8221; Han connotes both despair at recognition of past injustice and acceptance of such matters as part of the Korean experience.</p>
<p>&#8220;As I have already said, Han is an expression of the complex feeling which embraces both sadness and hope. The sadness stems from the effort by which we accept the original contradiction facing all living things, and hope comes from the will to overcome the contradiction. In the present, we accept it; in the future, we will overcome it. Life for all living things is full of contradictions. Where there is centrifugal force, there is also centripetal force. Where there is a beginning, there is also an end. Where space lasts for ever, time passes. And all who are born must die. Thus we become aware of existence, time, space and life itself. Finally, we have to admit the contradictory duality of life. It is very easy to resign ourselves to this contradiction, but we can think of it in another way. We can think of ourselves as actively conforming to the laws of the universe. This is the way in which Koreans strive to overcome the contradictions of life. When we are poor, we think of Han. We therefore work hard in order to buy lots of land. When we are ignorant, we are mindful of Han. We educate our children in order to deliver them from Han, that is why the passion for educating the young is so ardent in Korea. We cannot however completely deliver ourselves from Han in this world, because Han is also a hope for the future&#8230;&#8221;(Park Kyong-ni) <a href="http://web.archive.org/web/20021126053722/http://www.keganpaul.com/articles_main.php?url=/main_file.php/articles/30/">Read more</a></p>
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		<title>The ego // The Ten Thousand Things</title>
		<link>http://www.tenthousandfilms.com/10k/2010/02/the-ego-the-ten-thousand-things/</link>
		<comments>http://www.tenthousandfilms.com/10k/2010/02/the-ego-the-ten-thousand-things/#comments</comments>
		<pubDate>Sun, 14 Feb 2010 02:20:33 +0000</pubDate>
		<dc:creator>10k films</dc:creator>
				<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[Quotes]]></category>
		<category><![CDATA[The ego]]></category>

		<guid isPermaLink="false">http://www.tenthousandfilms.com/10k/?p=320</guid>
		<description><![CDATA[Our form is the ego: it is this mysterious incapacity to be other than oneself, and at the same time the incapacity to be entirely oneself and not ‘other-than-Self’. But our Reality does not leave us the choice and obliges us to ‘become what we are’, or to remain what we are not.

The ego is, empirically, a dream in which we ourselves dream ourselves; the contents of this dream, drawn from our surroundings, are at bottom only pretexts, for the ego desires only its own life: whatever we may dream, our dream is always only a symbol for the ego which wishes to affirm itself, a mirror that we hold before the ‘I’ and which reverberates its life in multiple fashions.

This dream has become our second nature; it is woven of images and of tendencies, static and dynamic elements in innumerable combinations: the images come from outside and are integrated into our substance; the tendencies are our responses to the world around us; as we exteriorise ourselves, we create a world in the image of our dream, and the dream thus objectivised flows back upon us, and so on and on, until we are enclosed in a tissue, sometimes inextricable, of dreams exteriorised or materialised and of materialisations interiorised.]]></description>
			<content:encoded><![CDATA[<p class="post-title entry-title">Our form is the ego: it is this mysterious incapacity to be other than oneself, and at the same time the incapacity to be entirely oneself and not ‘other-than-Self’. But our Reality does not leave us the choice and obliges us to ‘become what we are’, or to remain what we are not.</p>
<p>The ego is, empirically, a dream in which we ourselves dream ourselves; the contents of this dream, drawn from our surroundings, are at bottom only pretexts, for the ego desires only its own life: whatever we may dream, our dream is always only a symbol for the ego which wishes to affirm itself, a mirror that we hold before the ‘I’ and which reverberates its life in multiple fashions.</p>
<p>This dream has become our second nature; it is woven of images and of tendencies, static and dynamic elements in innumerable combinations: the images come from outside and are integrated into our substance; the tendencies are our responses to the world around us; as we exteriorise ourselves, we create a world in the image of our dream, and the dream thus objectivised flows back upon us, and so on and on, until we are enclosed in a tissue, sometimes inextricable, of dreams exteriorised or materialised and of materialisations interiorised.</p>
<p>The ego is like a watermill whose wheel, under the drive of a current — the world and life — turns and repeats itself untiringly, in a series of images always different and always similar. The world: it is as if the ‘conscious Substance’ which is the Self had fallen into a state which would split it up in many different ways and would inflict on it endless accidents and infirmities; and in fact, the ego is ignorance floundering in objective modes of ignorance, such as time and space.</p>
<p>What is time, if not ignorance of what will be ‘after’, and what is space, if not ignorance of what escapes our sense? If we were ‘pure consciousness’ like the Self, we would be ‘always’ and ‘everywhere’; that is to say we would not be ‘I’, for that, in its empirical actuality, is entirely a creation of space and time. The ego is ignorance of what is ‘the other’; our whole existence is woven of ignorances; we are like the Self frozen, then hurled to earth and split into a thousand fragments; we observe the limits which surround us, and we conclude that we are fragments of consciousness and of being.</p>
<p>Matter grips us like a kind of paralysis, it imposes on us the heaviness of a mineral, and exposes us to the miseries of impurity and of mortality; form shapes us according to such and such a model, it imposes on us such and such a mask and cuts us off from a whole to which we are none the less tied, though at death it lets us fall as a tree lets fall its fruit; finally, number is what repeats us — inside ourselves as also around us — and what, in repeating us, diversifies us, for two things can never be absolutely identical; number repeats form as if by magic, and form diversifies number and must thus create itself ever anew, because the All-Possibility is infinite and must manifest its infinitude.</p>
<p>But the ego is not only multiple externally, in the diversity of souls, it is also divided within itself, in the diversity of tendencies and of thoughts, which is not the least of our miseries; for ‘strait is the gate’ and ‘a rich man shall hardly enter into the kingdom of heaven’. And since we are ‘not other’ than the Self, we are condemned to eternity.</p>
<p>Eternity lies in wait for us, and that is why we must find again the Centre, that place where eternity is bliss. Hell is the reply to the periphery which makes itself the Centre, or to the multitude that usurps the glory of Unity; it is the reply of Reality to the ego wanting to be absolute, and condemned to be so without being able to be so&#8230; The Centre is the Self ‘freed’, or rather that which has never ceased to be free—eternally free.</p>
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		<title>The Heart Sutra / प्रज्ञापारमिताहृदय / 摩訶般若波羅蜜多心經</title>
		<link>http://www.tenthousandfilms.com/10k/2010/02/the-heart-sutra-%e0%a4%aa%e0%a5%8d%e0%a4%b0%e0%a4%9c%e0%a5%8d%e0%a4%9e%e0%a4%be%e0%a4%aa%e0%a4%be%e0%a4%b0%e0%a4%ae%e0%a4%bf%e0%a4%a4%e0%a4%be%e0%a4%b9%e0%a5%83%e0%a4%a6%e0%a4%af-%e6%91%a9/</link>
		<comments>http://www.tenthousandfilms.com/10k/2010/02/the-heart-sutra-%e0%a4%aa%e0%a5%8d%e0%a4%b0%e0%a4%9c%e0%a5%8d%e0%a4%9e%e0%a4%be%e0%a4%aa%e0%a4%be%e0%a4%b0%e0%a4%ae%e0%a4%bf%e0%a4%a4%e0%a4%be%e0%a4%b9%e0%a5%83%e0%a4%a6%e0%a4%af-%e6%91%a9/#comments</comments>
		<pubDate>Sun, 07 Feb 2010 18:39:49 +0000</pubDate>
		<dc:creator>10k films</dc:creator>
				<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[Quotes]]></category>
		<category><![CDATA[The Heart Sutra]]></category>

		<guid isPermaLink="false">http://www.tenthousandfilms.com/10k/?p=299</guid>
		<description><![CDATA[&#8220;Form is emptiness; emptiness also is form. Emptiness is no other than form; form is no other than emptiness. In the same way, feeling, perception, formation, and consciousness are emptiness.
Thus, Shariputra, all dharmas are emptiness. There are no characteristics. There is no birth and no cessation. There is no impurity and no purity. There is [...]]]></description>
			<content:encoded><![CDATA[<p>&#8220;Form is emptiness; emptiness also is form. Emptiness is no other than form; form is no other than emptiness. In the same way, feeling, perception, formation, and consciousness are emptiness.</p>
<p>Thus, Shariputra, all dharmas are emptiness. There are no characteristics. There is no birth and no cessation. There is no impurity and no purity. There is no decrease and no  increase.</p>
<p>Therefore, Shariputra, in emptiness, there is no form, no feeling, no perception, no formation, no consciousness; no eye, no ear, no nose, no tongue, no body, no mind; no appearance, no sound, no smell, no taste, no touch, no dharmas, no eye dhatu up to no mind dhatu, no dhatu of dharmas, no mind consciousness dhatu; no ignorance, no end of ignorance up to no old age and death, no end of old age and death; no suffering, no origin of suffering, no cessation of suffering, no path, no wisdom, no attainment, and no non-attainment&#8221;</p>
<p><em>The <strong>Heart Sutra</strong> is a well-known Mahāyāna Buddhist sutra that is very popular among Mahayana Buddhists both for its brevity and depth of meaning.</em></p>
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		<title> G. K. Chesterton</title>
		<link>http://www.tenthousandfilms.com/10k/2009/11/%e2%80%a8g-k-chesterton/</link>
		<comments>http://www.tenthousandfilms.com/10k/2009/11/%e2%80%a8g-k-chesterton/#comments</comments>
		<pubDate>Mon, 23 Nov 2009 20:24:05 +0000</pubDate>
		<dc:creator>10k films</dc:creator>
				<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[Quotes]]></category>
		<category><![CDATA[Christianity]]></category>
		<category><![CDATA[G. K. Chesterton]]></category>
		<category><![CDATA[Orthodoxy]]></category>

		<guid isPermaLink="false">http://www.tenthousandfilms.com/10k/?p=192</guid>
		<description><![CDATA[When The Times invited several eminent authors to write essays on the theme &#8220;What&#8217;s Wrong with the World?&#8221; Chesterton&#8217;s contribution took the form of a letter:
Dear Sirs,
I am.
Sincerely yours,
G. K. Chesterton
&#8212;&#8211;
&#8220;It was not Napoleon
Who founded the Ashmolean
He hardly had a chance
living mostly in France&#8221;
&#8212;&#8211;
&#8220;The whole modern world has divided itself into Conservatives and Progressives. The [...]]]></description>
			<content:encoded><![CDATA[<p>When The Times invited several eminent authors to write essays on the theme &#8220;What&#8217;s Wrong with the World?&#8221; Chesterton&#8217;s contribution took the form of a letter:</p>
<p>Dear Sirs,<br />
I am.<br />
Sincerely yours,<br />
G. K. Chesterton</p>
<p>&#8212;&#8211;</p>
<p>&#8220;It was not Napoleon<br />
Who founded the Ashmolean<br />
He hardly had a chance<br />
living mostly in France&#8221;</p>
<p>&#8212;&#8211;</p>
<p>&#8220;The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected.&#8221;</p>
<p>&#8220;Great joy does not gather the rosebuds while it may; its eyes are fixed on the immortal rose which Dante saw.&#8221;<br />
&#8212;&#8211;<br />
<a href="http://en.wikipedia.org/wiki/G._K._Chesterton">Read more</a> on Gilbert Keith Chesterton (29 May 1874 – 14 June 1936)<br />
<a href="http://www.gutenberg.org/etext/16769">Orthodoxy</a> by G. K. Chesterton <a href="http://www.gutenberg.org/etext/16769">full text</a></p>
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		<title>Verbum</title>
		<link>http://www.tenthousandfilms.com/10k/2009/11/171/</link>
		<comments>http://www.tenthousandfilms.com/10k/2009/11/171/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 20:43:54 +0000</pubDate>
		<dc:creator>10k films</dc:creator>
				<category><![CDATA[Quotes]]></category>
		<category><![CDATA[1:1-3]]></category>
		<category><![CDATA[John]]></category>

		<guid isPermaLink="false">http://www.tenthousandfilms.com/10k/?p=171</guid>
		<description><![CDATA[In principio erat Verbum,
Et Verbum erat apud Deum,
Et Deus erat Verbum.
Hoc erat in principio apud Deum.
Omnia per ipsum facta sunt:
Et sine ipso factum est nihil, quod factum est.
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			<content:encoded><![CDATA[<p><strong>In principio erat Verbum,<br />
Et Verbum erat apud Deum,<br />
Et Deus erat Verbum.<br />
Hoc erat in principio apud Deum.<br />
Omnia per ipsum facta sunt:<br />
Et sine ipso factum est nihil, quod factum est.</strong></p>
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		<title>Our revels now are ended</title>
		<link>http://www.tenthousandfilms.com/10k/2009/10/our-revels-now-are-ended/</link>
		<comments>http://www.tenthousandfilms.com/10k/2009/10/our-revels-now-are-ended/#comments</comments>
		<pubDate>Sun, 25 Oct 2009 21:11:17 +0000</pubDate>
		<dc:creator>10k films</dc:creator>
				<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Quotes]]></category>
		<category><![CDATA[Prospero]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[The Tempest]]></category>

		<guid isPermaLink="false">http://www.tenthousandfilms.com/10k/?p=146</guid>
		<description><![CDATA[ Prospero:
Our revels now are ended. These our actors,
As I foretold you, were all spirits, and
Are melted into air, into thin air:
And like the baseless fabric of this vision,
The cloud-capp&#8217;d tow&#8217;rs, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve,
And, like this insubstantial pageant faded,
Leave not a rack behind. [...]]]></description>
			<content:encoded><![CDATA[<p><em> Prospero:</em><br />
Our revels now are ended. These our actors,<br />
As I foretold you, were all spirits, and<br />
Are melted into air, into thin air:<br />
And like the baseless fabric of this vision,<br />
The cloud-capp&#8217;d tow&#8217;rs, the gorgeous palaces,<br />
The solemn temples, the great globe itself,<br />
Yea, all which it inherit, shall dissolve,<br />
And, like this insubstantial pageant faded,<br />
Leave not a rack behind. We are such stuff<br />
As dreams are made on; and our little life<br />
Is rounded with a sleep.</p>
<p><em>The Tempest</em> Act 4, scene 1, 148–158</p>
]]></content:encoded>
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